its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

nice ian pooley remix!!

dj rubbish samples any sound he gets and spits out any rant that comes to mind for just one reason - because he can! interludes proudly brought to you by project brothers.

incl. kolombo / sasse/ boogie drama rmx! nikitin – the fastest growing producer from russia, after appearing on gu finally coming out on native russian label – highway. coming out from nikitin & semikashev duo, now its nikitins solo work. as usual prime time blockbuster with scary theme!

welcome to marrakesh. each track has an unmistakable flavour of its own, from the exotic melody and cheeky line of marrakesh, to the arrped-out melancholy of juno ride!!

since 2002, dj and producer kook and brazilian singer roxxy bione are now a duo. without a doubt, they are typical dirty and danceable berlin electro and rock n roll. important to them: no run of the mill concert atmosphere. they prefer people to dance and freak out, not just swaying to the music. kook feat. roxxy bione don t hide behind a laptop, but submit microphone stands and stage floor to grueling tests. the musics charm is a result of glamorous pop, rockin electro sounds and groovy dance – often crowned with driving singing. >phantom hitchhiker< is the first evidence of this danceable dangerous romance called kook & roxxy.

you talkin to me? you talkin to me? you talkin to me? then who the hell else are you talkin to? you talkin to me? well i m the only one here. who the fuck do you think you re talking to? waffenladen platin out now!!! starring jeans team, daniele papini, oscar & andy kohlmann

moleculez returns to meta4 ready to clear dancefloors with some of his most destructive material to date. you know you are dealing with some serious dance music when none of the tracks on a release have vocal samples. the opening track, future in progress, is blessed with a wonderfully deep kickdrum that would probably even sound good at plus20, although we havent tried that yet. out of a nowhere the track suddenly seems to have stopped when an eerie melody creeps out of the dark. this sets the tone for the rest of the release: dark, driving and threatening. gargoyle is the most driving. lava bomb the eeriest: and future in progress the most threatening. thats what we think, anyway. you decide. the last two tracks on this release are probotector and the haunted. the first is actual textbook honest to goodness industrial hardcore while the latter isnt really anything we can talk about here. highly recommended because we want to sell records

christian hilscher and nico plagemann - three minutes before the start: three double signals are flashing at the starting lights. the pilots are strapped into their cockpits with pinpoint accuracy. windows down, elbow out. the sound system is at the limit, the golden chevrolet is shimmering û a real feast for both the audiences eyes and ears. one minute before the start: the motors start roaring. now only two double lights are flashing at the starting lights. adjust your sunglasses. put in the first gear. the bass is vibrating. 15 seconds before the start: only one double light is flashing. now, the kollektiv is on its own. the last bit is tickled out of the sound system. behind the car, a marshal is waving a yellow flag when suddenly the windows start vibrating with the bass. the speed range is signal-red. start: the last double signal of the starting lights goes out, and for the charming guys from hamburg, five green lights are going on: the start. the pulse rate is rising up to 110. its the point of no return - the race is on..

waajeed (slum village/bling 47) and saadiq with one of the most talked about albums of 2005. feat jay dee, sa-ra, spacek, lacks, tiombe lockhart, invincible, georgia anne muldrow, taraach and others!!

the third part of this limited edition 12 inch vinyl series sees craggz & parallel forces take time out of their busy album recording schedule to offer up >all my love<, showcasing their versatile production skills, while on the flip man of the moment s.p.y teams up with mosus on >saudade<, a beautiful yet devestating piece of electronic music.

thanks to the blinding fabric live mix and a series of highly entertaining interviews the demand for new omar-s product is now at an all time high. hes on top form here with three fresh cuts representing his sound to the fullest. opening track flying blind is a must have for fans of the deeper omar s tracks like psychotic photosynthesis. following that up is still serious nic which is probably my favourite track on the record, its got that heavily monged out raw omar-s machine vibe to it. things straighten out a bit on the b-side thanks to the smoothed out vocal house of left him up. then it finishes off with the deep house of flying gorgars. once again omar-s proves hes too steps ahead of the deep house pack. essential

yep, thats right. synth pop sensations heartbreak remixed by the horrors. tom furse from the horrors has a fearsome collection of analogue synths and used them to rebuild this track from heartbreaks debut album from the ground up, and a killer job hes done too. as ali and sebastian from heartbreak both release on dissident their label lex thought it would be a good idea if dissident did the 12 inch release. obviously due to the nature of this release and the addition of the combined horrors / heartbreak fanbase its pretty much an instant collectors item and will fly out of the door at a fair old rate of knots so please make sure you order enough to keep everyone happy, i doubt well have any of these left by the end of the week. the clip is taken from the second half of the track as it turns into a glorious cosmic synthesizer orgy, theres plenty of arpeggiated trackiness before it gets to this bit

nice price deal !!! already played by: andre galluzzi, anthony collins, matt star, frank leicher, nedzad berovic, syntec, locke...
the new artist ensemble familia loca aka audionova & en_tropic are back with their first solo-release. after very succesful tracks on their own digital label rezonant they now continue with this superb summer smasher! watch out for the guys from serbia!

everyone s favourite french mpc don fulgeance steps up for his one-handed music debut with a heavyweight set aimed squarely at the dancefloor! fresh from his success on musique large with his low club styles, fulgeance steps out of the beats scene to bring us the bangers. detroit electro wunderkind jimmy edgar is on remix duties with a mesmerising 4am stepper, deeply trippy and all the better for it.

as mnx recordings reach double figures they welcome the legendary alex cortex and longtime collaborator lopazz aka bad cop bad cop to the fold with a blistering 4 tracker of live, raw electronics aimed squarely at your frontal lobe aswell as the dancefloors! this work covers the finest elements of deep minimalism, industrial and acid, and keeps it fun with the feeling of a live performance, if anyone can try this approach and pull it off it s these guys! all the tracks are joined together by abstract field recordings from the london underground which add to the murky strangeness of this release! alex cortex has been putting out quality underground music for over a decade with notable and now highly sought after releases on source, klang, and pal sl, with more recent bombs being delivered on platzhirsch, pomelo and of course our very own wireblock! lopazz too has been busy releasing gems on labels such as trevor jacksons output and more recently get physical, were he has been getting a lot of attention, but it s when these two guys team up in the studio that the magic really starts to happen, so waste no time in getting this release because as always its gonna be highly limited!

welcome to rebel intelligence - the new label is ready to make you pop like it was 1984 all over again! their first single is by the uks matt whitehead, one half of signal type (along with phil bolland on the cultivated electronics label) and captures the style of early electro funk in all it s analogue glory. so good! the a sides >beat the heat< is the more pacey of the two tracks here, constantly building with vintage synth stabs and the true feeling of electro, reminding us of harold faltermeyer and all those cats so heavy influenced by kraftwerk. on the flip, >tuff city< combines classic b-boy sounds and punchy drum programming to create an authentic listening experience that will make you want to get your lino out and bust some moves. highly recommended.

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

for release n° 28, long-time clr artist alex bau returns with two massive new tracks full of good ideas and positive energy. chris liebing had the pleasure to play out the disaster-mix for quite a while and to convince himself of the unexceptionally sensational crowd reaction. the rhythm is permanently varying, the atmosphere often changes immediately and the sounds come and go in surprising ways.
the flashback-mix is wonderfully thrifty and has a powerful bass. alex bau once more shows versatility and dedication to experiment with rhythmic and sonic possibilities. the slow building and the subtle use of beat variations and breaks underline the almost mesmerizing effect of this outstanding groove.
chris liebing considers the clr 28 the best alex bau release on clr so far and is already looking forward to your comments and critics.

after the smash that was shatnereffekt one, handsette recordings return, bringing a host of diverse and super talented artists from around the world together on one massive ep and another essential array of electronic music.
kicking off the ep is kritical audios >spandex<, a tune that comes slow on the heels of the swedish duos 2006 braindance monster >krupp<. the swedish duo have come with an itchy slice of razor sharp electrofunk with a burbling acid bassline thats currently being caned by surgeon and rob hall (who says, i ve been playing the kritical audio track a lot. good stuff )... this is a big tune!
next up we have miles tilmanns >spirex< which starts with a wonky off beat that gives way to some wacked-out rubbery bassline action and a lead line that could have come from the keyboard hands of harold faltemeyer or parliaments bernie worrell.
following that is c. mantles >that other eden<. fearsome and delicate, morose and savage, >that other eden< is a serious piece of dancefloor heft with reese basslines burbling under a clattering beat before dropping away into a slightly terrifying double-drop breakdown.
unity gain temples >sahmo< rounds out the ep with a glistening, truly beautiful piece of work. the heavy kicks of the intro are met by a rush of lush chords and deft touches of melody, driving the track into a space that is pure audio luxury and reminiscent of brothomstates, arovane and tippers more contemplative moments.

dave huismans aka 2562 with his a made up sound project. archive contains four raw house tracks from the vaults with their roots in detroit and chicago house. ‘bounce’ and ‘disconnect’ combine the best of two worlds: the more traditional sample based house grooves and the spacious sounds and wrenching sub bass that have become his trademark. the same goes for the other two tracks... ‘wire’ is a phat acid track with a great drive. a strange atmosphere and a unique combination of classic structures with new and old sounds. this track will make sure that the sweat is dripping off those basement walls! ‘on&on’ has that catchy drunken beat slightly reminding of some theo parrish productions... finished with futuristic technoid synth stabs and pulsating acid-ish bass sounds that make this a great abstract & stripped-down house work out! killer!

the new series for raw no-nonsens techno and house tracks. some straight up techno... some edgy, exciting and fresh, sometimes just plain functional dj tools. first one is mike dehnert with his solid umlaut track that was overlooked by many when it was released on his own fachwerk imprint. mike is one of the big talents with his own trademark sound.. something we don t hear to often! 3 unreleased verions of umlaut2... mikes first unreleased mix, slightly housier then the first one, the umlaut2 new version which is a straigth up club tool. big surprise here is the remix by levon vincent! a new talent from new york that got his name on the map after 3 incredible releases on his own novel sounds and deconstruct labels. he did a more then excellent job with his dirty and housier version. levon did lay down a crazy groove with an old fashioned hook line (very n.y. house) and mold it into a fierce techno track. fresh and completely different then most techno out there these days.

nice price deal !!! from the deep dark cold depths of melbourne down and out disco suburbia comes the long-long awaited debut release from serial hitmaker, synth wiz, coffee addict and all rounddudebabe, gloves. fresh, from the titanic sinking of his former musical yacht, damn arms, and off the back of remixes for the likes of cut copy, vanshe, sneaky sound system, the deathset, the scare and ted & francis, gloves sails bright into the dance horizon with his first 2-track original release on banggang12s.

demetrio giannice is an italian swiss living in zurich & very active in the underground house scene. he recently released on his own enterbt records label (enterbt means disinherited in german), and soon to be released on drumpoet. third ear recordings have had this ep for more than a year. we ve been itching to get these deep house jams out there ever since we got them, and now here they are.

this is the first installment of remixes for andrea parkers >freaky bitches<, that kicked off touchin bass records back in 2002. electro-bass for the 21st century!

strut present the story of one of the most influential and revered labels emerging from new york in the late >70s and 80s<, ze records. after the late 70s punk and new wave explosion in new york, ze became a by-word for the anything-goes culture clashes that typified the big apple during the early 80s. formed by french art student michel esteban and british journalist michael zilkha, ze quickly created its own unique independent universe, signing artists as varied as alan vegas electronic postpunk pioneers suicide, trash disco queen cristina and maverick producer august darnell a.k.a. kid creole. with estebans sharp graphic eye leading the labels visual identity, ze hit the new york zeitgeist head on and became supremely hip û in 1982, the face magazine nominated it ôthe most fashionable label in the world.the labels early success led to a deal with chris blackwells island records, which gave zes releases worldwide exposure and brought worldwide fame to kid creole, was (not was) and more. over thirty years on and ze remains one of the great cult labels of its time. with this new compilation, strut takes a snapshot of the many weird and wonderful fusions that surfaced on its famous nyc cab-influenced yellow and black label. highlights include one of the earliest outings by was (not was), tell me that im dreaming, a disbelieving commentary on reagan-omics, bob blankÆs short-lived disco supergroup aural exciters and a larry levan mix of kid creoles biting parable about corruption in the caribbean, theres something wrong in paradise. other featured artists include ze label regulars cristina, bill laswells material, kookie french experimentalist lizzy mercier descloux, and camp disco-electro icons, les garcons.

sometimes a track is so hot it just has to come back around again. about ten years ago brett johnson and dave barker (stucco homes) wrote some unbelievably catching house tunes, one of them being temptation and lies. so it just seemed right to give this track yet another life. deadbeat and mike shannon dive deep into a stripped down techno groover, removing the constant use of the vocals and creating a rolling techno dub version. some seriously deep bass in the production that works the subs in all the right places. ernesto ferreyra and guillaume coutu dumont aka chic miniature give you a playful melodic version on the flip. full use of the original chord progressions, combined with the guys signature marimba/latin percussion leaving you with a lush, warm summer hit. then brett dives into the track again giving you the oohs and ahhs mix. a ten minutes work out with bjs patented groove focused on the vocal harmonies in the original. the result is a warped, spaced out, long player that is sure to twist a few heads. mental just about sums it up. of course we had to include the original masterpiece for those who didnt find it the first time round. a favorite of everyone involved on the remix project i think youll agree that the temptation and lies cynosure mixes do the original some justice.

teaming up with the legend that is francois dubois. the first time the pair have worked together since the labels first release. the pair turn out a devastating house workout. deep warm synths, and heavy, killer keys, create a wonderfully moody, traditional workout, ready for all floors. on the flip, h turns to irish don and barcelona resident chymera, who turns in an electrified version of the original. injected with more pace and power than the original, the elements from the lead track hit he floor with added urgency. a great tech-infused cut, that will find favour across the board.

before you dive in the regular sales fodder i would like you to ask yourself this question: what if humans arent the only living creatures who can create & enjoy art...? well, meet a true & genuine artist at heart and take a minute for michaels story. totally moved and inspired by the life & work of michael, the silverback gorilla who talked sign language who unfortunately passed away in 2000 after a fatal heart failure, ronny & renzo produced this incredible song me, myself, good after the same titled painting by the hand of the late and great michael... may he rest in peace. ronny & renzo their original version is a 9 minute+ moving epic that not only looks back in sadness at the pain & horror michaels life started with when poachers killed his mother in front of his eyes. it equally celebrates the love & comfort, the guidance & protection he enjoyed while he and koko were adopted and lovingly raised by dr. penny patterson and dr. ron cohn. because of the serious and delicate nature of this tribute release we couldnt think of anyone more appropriate than dance exotica pioneers quiet village to perform the remix. these two extraordinary gentlemen lead you by the hand into the heart of darkness, to a meditative place somewhere deep in the jungle only they know of... after more than a year of silence, a new king kung foo release sees the light of day throwing the label right back in the leftfield disco game. these amazing recordings will not only have their impact on an ecstatic dancefloor but will also be the ideal soundtrack to a lazy sunday. enjoy! pressed on a limited quantity of 1000 copies and no chance for a repress, this desirable twelve inch with powerful cover art will be sold out in no time. but the most important thing here is that koko needs your help! so for each copy sold a part of your money goes to the gorilla foundation.

first extract from the forthcoming album >dreamer are you sad< to come out soon, produced by peter deimel (deus, the kills). limited edition 7 inch full of electric breaks and noisy guitars bullying the apparent wiseness and light melodies, calling on pretty convincing influences like can, robert wyatt, radiohead, or sufjan stevens...

don diablo remix + kissy sell out remix + paper faces remix!

rhythm of elements consists of internationally renowned pianist makoto kuriya and japanese club scene pioneer/dj uchikawa. together they combine exquisite musicianship with the deepest club beats to create a unique hybrid musical tracks for electronic dancefloors. praia is taken from the forthcoming debut album evolution, (coming out september 09) and features the beautiful scat vocals of yu ka ueda flowing over an electronic jazz groove. add to that the virtuoso keyboard playing of makoto kuriya and live guitar from kazuhiko obata and you have a serious electro-jazz workout! if that isnt enough, the flipside sees karizma take the reigns as he gives the track his trademark stomp mix treatment, roughing up the smoothness and building up to a heavy drop, as only he knows how. the e.p. also contains the delicious album cut airport, an atmospheric and mellow groove sprinkled with beautiful keys and riding between the club and live vibe that signifies the rhythm of elements sound

played by richie hawtin, nick holder, popof, gel abril, steve lawler, someone else, technasia, matt john, fabrizio maurizi, joseph capriati, delete & oliver ho ... limited 10inch only 500 copies / no repress!!!! / be fast originally released only digital with the supertight ep people kept asking when this will be finally out on vinyl,....back in the days the digital truckvolume release got charted by chris liebing and pan pot and now emerson decided its finally time to put that out on vinyl with an extra fat special bonus remix. the guy who remixed this tune is called m.in and he is hot on the heels of people like nick curly or nima gorji and many others. he produces his own definition of excellent house tunes and is about to release on labels as various as international freakshow, murmur, souvenir, get physical, get digital, merkesdir, off, höhenregler, keinemusik, frequenza ltd., polar noise, hypercolour, and more. his micro.fon ep debut is set for release after the summer and it s gonna be a huge bomb too. so prepare for a blast and check out this very special limited vinyl only sneak preview

richard sen (padded cell / bronx dogs) & cazbee (legendary graffiti artist) present a trio of new leftfield edits, suitable for the more open minded disco dancefloors. on the a side playback, is a fashionable midtempo euro funk groover. on the flip mad high is an uptempo string stabbed dancefloor destroyer. finally b2 schizo is our favourite out of the 3 is reminiscent of nu groove and early house. the original newave track is a chicago underground classic. the two recent mbc releases have seen support from dj harvey, andrew weatherall, prins thomas, idjut boys, cosmo vitelli, optimo, cherrystones, tim paris, moxie edits crew & dc recordings soundsystem

esl music drops the >classic ep<, the first 12 inch single from ancient astronauts? debut album >we are to answer<. featured here are 3 exclusive remixes and cuts not available in any other format. first up on the a side is >classic (12 remix)< that adds extra horns and punch to the original hip-hop track featuring rhymes by the pharcyde. not to be outdone, dj brace smoothes out the rhythm and centers the track on luscious string arrangements. on the flip side the astronauts deliver a funky big-beat party track entitled >what we came for<. not to be missed!

drokz alongside tafkat & mr courage bring us an insane 4 tracker of shear terror! ltd to 150 copies only - you need to grab this one before its sold out!!

another quality 4-tracker by dione for megarave. this one goes out to north, south, east and west!

sold out !!! will never be repressed !! decks exclusive !!! ultraphat prime time groovin techhouse tracks !! already played by karotte (great stuff / cocoon / break new soil)... for kurbits records second release we turn to monobrain, who you may already know of from his earlier release this year, the excellent >indian house< on question mark records. played and loved by brothers vibe, italoboyz and julien chaptal among others. tin tin tin is a tool for the floor featuring the patented amsterdam groove. sometimes a simple cowbell on top of a relentless groove is all you need to put a smile on peoples faces! disco church on the label side: driven by a rolling bongo groove with a punching bass line underneath, toppled with sprinkles of church organ & bells and to top it all off - a choir of monks. a sublime piece of undeep happiness!

time for the next regular mojuba release after some fabulous contributions by chez damier and nick sole. the new 12 inch is from bernard badie, who graced the 10th anniversary release with his all-time house classic time reveals. this time he delivers some serious chicago house action with a re-edit of a rare and out of print track from larry heards alleviated records called move to the beat and the second tune is fresh and directly out of his studio, a jacking track which combines the old school flavour with the new school vibe! lets jack the house!

future classic continues its momentum with the future classic attractions 12-inch sampler from a full-length compilation of the same name previewing the immense quality of talent emerging from australian shores. first up come the soulful broken beats of eddit, known for his solid 12Æs on equatorial and freestyle records. the a2 rumpski is a hip house jam from meem with a chunky bassline dropping in the second half of the track reminiscent of early morgan geist. flip and we are treated to mutual sigh, a sublime late night production by deepchild (following up his recent blackness of the sea classic) in collaboration with gauche. touch sensitive concludes the sampler with body stop, a standout slow burner of new school disco deepness. look out for the future classic attractions mix cd featuring 12 exclusive tracks mixed by nathan mclay, a quality overview of the bourgeoning australian scene.

we are delighted to announce the wagon repair debut of montreal native stephen beaupre. one half of crackhaus, a long time collaboration with deadbeat, stephen has recently released solo material on labels from musique risque and ~scape, and put out his debut album on mutek’s own imprint in 2006. in honour of the great ancient persian empire, ‘achaemenid’ roams stridently with tight kick, clangorous melodic cascades and prodding rhythmic tones. ethereal string pads and moaning atmospherics imply conflict, narrated by catchy vocal passages from beyond the murky depths. a reverberant rhythmic synth line injects life into ‘lotus eaters’, with static vocal samples and penetrative melodic tones forming sonic structures around deep tom and rattled hat. grossly intoxicating, elements lull into a mellow haze before reanimating into a wildfire finale.

special ultracool edit of this classic by wareika from connaisseur fame. watch out! no digital release!

another legendary techno producers deliver the goods on be as one. this time is swedens own samuel l session with 2 singles straight out of his upcoming first ever artist album, soon to be released on the israeli label. big bad drum is exactly what the title says, a drums driven track with a bassline reminiscent of saundersons e-dancer techno. already tested by a few lucky ones, this tune is having a monster impact on the dancefloors with its funky snares and distinctive over voice . chimes still carries an old school vibe, taking a classical and deeper approach. sls sound at its best, reminds us why the don has been here for the last 15 years. a solid preview of what to expect from samuels album, classical groovy techno which reminds us how real techno is suposed to sounds like. forthcoming on be as one in october.

the mind melt keeps melting. pretty soon we will just be puddles of freaky essential oils, reduced down to our effervescent essence, like jasmine, or dry kool-aid. of course we are talking about onur Ízers album kasmir, the gift that keeps on giving. once again renowned artists have come out in full force reworking selected tracks off onurs album for vakants remix-only vr. first up is mr. rajko m³ller, better known as isolÚe, who having spent some time growing up in algeria, continues with the african remixer theme (tunisian born loco dice remixed eclipse on part 1. you know us, as if we even need an excuse to work in africa somehow.) isolÚe takes onurs otherwise chilling innervoice and reinterprets it into a thick warm blanket of reassuring bounce. flipping the record inverts dimensions of time and space. abyssfully deep legend baby ford takes the already ethereal aida and turns it into the soundtrack for finding the god particle. its scary, yes, but ultimately it could explain everything.

the make up the break up is the first release on bruno pronsatos own thesongsays label. its the longest track in his catalog (38 minutes), and an even deeper excursion into his stylized harmony. this track was originally a track uncompleted while making, æwhy cant we be like us. revisiting it roughly a year ago, bruno began to reword it. what began as simple attempt to create an ep track out of it became a monster. what monster you ask? in a few words, the monster that is brunos love of musicality and sound design. muscially speaking, we are on a ride somewhere between a slithery house track and a drugged out night out in chelsea, new york in the 60s - and thats a good thing because we get the entirety of the ride: the ups, the downs, the clouded mentality, the broken heart and perhaps the mended one. its happy, its sad - its something that you can dance to, but most importantly, its music that we think you can revisit for many years, as it somehow reflects us, our lives. a playful and extended journey through love and disaster, or at least the soundtrack to it.

after the successful >srange days ep< leased on deep explorer music a few months ago, dubbyman & above smoke are now delivering the second part ep on the well respected dpress industries label, home of artists like nacho marco, tony blunt and pablo bolivar. dpress is the label where both deep explorer capos always wanted to put some stuff out as they have been supporting the label since the early beginning. on a side, dubbyman produces a soulful moodymannûesque track called >reen sunday<and rick wade (harmonie park, rush hour) works out a dubby and functial house remix. on b side, above smoke comes with >owntown< a warm and deep house track with some jazzy vibes, while ivan murias (thump elektroniks, inout records) is welcome to the label making a great rework of the track using some vocal samplers and showing us some good and deep manners, summer anthem for the deep lovers

you might remember collen & webb who from one of the early gamm releases (the jamaican jerk off). the boys are now back with two hot reworks on soul diva pauline?s hit single ?give me a call?. for fans of the soulful philly sound we recommend the ?soulful smash? version which rides on the o?jays ?back stabbers? sample. but if u?r into the amy winehouse sound u definitely need to check the ?northern smash? version with its jazzy loops and fierce rhythms. btw, watch out for more collen & webb action on gamm later this year...they got sum hot motown stuff in their trunks!